Koto and ethereal strings spell a sorrowful tone until a melancholic erhu enters at 0:49. Drums creep in at 1:15 and build into a dramatic string passage, with brass holding the harmony underneath. A climactic rise and halt at 2:04 makes room for the erhu to then take the track to a conclusion.

A xylophone and koto provide a playful entrance for a spirited solo erhu waltz. Guzheng takes over the melody at 0:33, and a brass hit at 0:46 signals a brief koto and erhu break. Bombastic drums and brass lead the way into a new section at 1:02. Strings take over the dance at 1:17, then a more sensitive piano takes the stage at 1:26. Playful mallets, piccolos, brass, and percussion signal a return to the original erhu melody at 1:42. Strings and piano follow, taking the track to a sweet conclusion.

Tenor recorder, pads, haunted bells and percussion intro. Huge ethnic percussion kicks in, then breaks down. Gradual build in intensity until a massive percussive climax.

Ambient ethnic flutes and powerful drum hits create a tense atmosphere. A fast-paced barrage of drums begins at 0:20 with ethnic flutes accenting throughout. The action stops briefly at 0:33 before picking back up with more fierce drums. The drums give way to atmospheric pads and sound design at 0:51 before the intensity ramps back up. A final break occurs at 1:30, and then the percussion generates a final sprint with male vocal chants joining.

Exotic and expansive with flavors from the far east, and near west. Intense and fast paced, with space for storytelling.

Throat singing and ethnic female vocals create a unique introduction. Percussion enters at 0:41 alongside woodwinds and plucked instruments. A short instrumental breakdown rises back up to large percussion at 1:28. A section with strings and mallets follows shortly after, then the track bursts back into life and leads to a powerful finale.

Cool processed bells on top of a buzzy ethnic bed. Pulses and tabla on a cool indian swing.

Huge taikos with fast paced clicks.

A bell and deep hit combine with an eerie pad. Scraping textures and Tuvan vocals produce an ancient and ethnic bed of sound until a rise introduces a taiko ensemble at 0:47. This fast rhythm rises up to introduce an eastern shamisen melody. This section climaxes at 1:46 with a huge hit and gong. The track switches gears to introduce a sweet sweeping section with woodwinds, strings, and pipa. A rise leads back into a section of powerful and frantic percussion at 2:45. The track concludes with a final bell and low hit.

Japanese kodo and taiko percussion with world textures. Fast and high energy.

Deep pads and ethnic percussion create a mysterious setting for the track. Plucked guzheng and koto, woodwinds, and bowed instruments enter to play alongside each other. A short break at 1:04 leads into a more percussive section with sweeping strings and pulses. Another rise at 1:50 leads into a sweeping section with powerful percussion and more Asian instrumentation. A final hit combines with strings to lead the track to a smooth conclusion.

Buzzy middle eastern drone with exotic percussion and noodling acoustic guitar. Grows by adding layers of percussion and pads.

A powerful hit and processed woodwinds create an immediately suspenseful ambiance. A solo erhu plays a mournful melody at 0:19 over this unique bed of sound created by pads. Plucked instruments and a powerful rhythm are introduced abruptly after a powerful hit at 0:52. Sweeping strings play an adventurous melody over the top of this bed as the intensity continues to build. A percussive breakdown at 1:49 rises back up to introduce the full melody with woodwinds and strings. A final section of erhu and pads leads the track to a mysterious finish.

Low pads and male choir with washing textures. Oud strums and nye fills are joined by a suspended string pad and haunting male voice.

A gong introduces mallets and light ethnic percussion. An erhu plays a mystical melody amidst soft pads. Woodwinds swirl around this combination. More Asian instruments and strings enter at 0:54 to play a sweet melody. A short break at 1:30 creates some space as the track moves towards a final meditative section. The percussion begins to fade away as the track comes to a soft and peaceful finish with woodwinds.